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Showing posts with label leibniz. Show all posts
Showing posts with label leibniz. Show all posts

Wednesday, November 4, 2009

Leibniz - Philosophical papers and letters [made in istanbul]

Paperback: 752 pages
Publisher: Springer; 2nd edition (December 31, 1975)

http://www.mediafire.com/file/fmmy2nownfo/PHILOSOPHICAL_PAPERS_AND_LETTERS__LOEMKER.pdf

http://books.google.com/books?id=Oi6QAcJRS3IC&pg=PP1&dq=leibniz+philosophical+paper&ei=P1nxSvSHD5SGzQSA3fTfBA&hl=tr#v=onepage&q=leibniz%20philosophical%20paper&f=false

Friday, May 9, 2008

Leibniz and the Natural World: Activity, Passivity and Corporeal Substances in Leibniz's Philosophy

Leibniz and the Natural World: Activity, Passivity and Corporeal Substances in Leibniz's Philosophy
(The New Synthese Historical Library)
by Pauline Phemister

# Hardcover: 293 pages
# Publisher: Springer; 1 edition (August 11, 2005)


"[Leibniz and the Natural World] lives up admirably to its ambitious aims. [...] in arguing for her main thesis, Phemister also provides an original and fascinating approach to two formidable challenges in Leibniz's scholarship. [...] There is much more to be found in this rich book, which any serious student of Leibniz's metaphysics should study."

Ohad Nachtomy, Bar-Ilan University, Israel, in British Journal for the History of Philosophy 16:1, 2008


Product Description
In the present book, Pauline Phemister argues against traditional Anglo-American interpretations of Leibniz as an idealist who conceives ultimate reality as a plurality of mind-like immaterial beings and for whom physical bodies are ultimately unreal and our perceptions of them illusory. Re-reading the texts without the prior assumption of idealism allows the more material aspects of Leibniz's metaphysics to emerge. Leibniz is found to advance a synthesis of idealism and materialism. His ontology posits indivisible, living, animal-like corporeal substances as the real metaphysical constituents of the universe; his epistemology combines sense-experience and reason; and his ethics fuses confused perceptions and insensible appetites with distinct perceptions and rational choice. In the light of his sustained commitment to the reality of bodies, Phemister re-examines his dynamics, the doctrine of pre-established harmony and his views on freedom. The image of Leibniz as a rationalist philosopher who values activity and reason over passivity and sense-experience is replaced by the one of a philosopher who recognises that, in the created world, there can only be activity if there is also passivity; minds, souls and forms if there is also matter; good if there is evil; perfection if there is imperfection.

link

Self and Substance in Leibniz

Self and Substance in Leibniz
by Marc Elliott Bobro
# Hardcover: 144 pages
# Publisher: Springer; 1 edition (July 20, 2004)


We are omniscient but confused, says Leibniz. He also says that we live in the best of all possible worlds, yet do not causally interact. So what are we? Leibniz is known for many things, including the ideality of space and time, calculus, plans for a universal language, theodicy, and ecumenism. But he is not known for his ideas on the self and personal identity. This book shows that Leibniz offers an original, internally coherent theory of personal identity, a theory that stands on its own even next to Locke's contemporaneous and more famous version. This book will appeal not only to students of Leibniz's thought but also to philosophers and psychologists interested in methodological problems in understanding or formulating theories of self and personal identity.

link

Sunday, October 14, 2007

Deleuze - The Fold: Leibniz And The Baroque



Gilles Deleuze - The Fold: Leibniz And The Baroque
Foreword and translation by Tom Conley

"The scope of Deleuze's understanding makes this book pertinent to artists, writers, architects, or anyone generally interested in ideas. The Fold attests to Deleuze's status as one of the most relevant and insightful philosophers." —San Francisco Bay Guardian

"A significant and needed contribution that proposes a radically new conception of the notion of Baroque and, at the same time, is a new interpretation of Leibniz's work." —Réda Bensmaïa

In The Fold, Gilles Deleuze argues that Leibniz's writings constitute the grounding elements of a Baroque philosophy and of theories for analyzing contemporary arts and science. A model for expression in contemporary aesthetics, the concept of the monad is viewed in terms of folds of space, movement, and time. Similarly, the world is interpreted as a body of infinite folds and surfaces that twist and weave through compressed time and space. According to Deleuze, Leibniz also anticipates contemporary views of event and history as multifaceted combinations of signs in motion and of the "modern" subject as nomadic, always in the process of becoming.

go monad go