MULTITUDE OF BLOGS None of the PDFs are my own productions. I've collected them from web (e-mule, avax, libreremo, socialist bros, cross-x, gigapedia..) What I did was thematizing. This blog's project is to create an e-library for a Heideggerian philosophy and Bourdieuan sociology Φ market-created inequalities must be overthrown in order to close knowledge gap. this is an uprising, do ya punk?
Showing posts with label german modernity. Show all posts
Showing posts with label german modernity. Show all posts
Wednesday, November 4, 2009
Dallmayr - Hegel: Modernity and Politics [made in istanbul]
Who is the leading philosopher of modernity? With this innovative volume, Dallmayr offers his learned opinion by exploring Hegel's thought as it pertains to the meaning of modernity and postmodernity: the celebration of individual freedom and the importance of a network of social relationships, public justice, and civic virtue. This lucid examination illustrates how Hegel responds to the urgent contemporary issues for which we look to the past for assistance. Because Fred R. Dallmayr's text clearly explicates Hegel's work in the context of current theoretical and philosophical debates about modernity, Hegel is recognized as a great figure in the history of political thought. This important text combines rigorous scholarship with a style that is accessible to both intermediate and advanced undergraduates, and graduates and professionals in political theory and the humanities. "Taking a sensible, chronological approach to Hegel's writings, G.W.F. Hegel is a well-written and thoughtful exposition of Hegel's political philosophy that should be accessible to advanced undergraduates and graduate students." --Choice "Hegel for our times. . . . Fred R. Dallmayr shows dramatically how Hegel enriched even those traditions that were critical of him. A lucid, well-argued exposition of the richness of Hegel's political philosophy. Hegel emerges from this study as a most-sophisticated and almost prescient critical philosopher of modernity. Surprisingly relevant for the attempts to achieve a viable civil society in post-communist countries. Inspiring and fresh, the book brings out the historically immense impact of Hegel's thought in all its variety." --Shlomo Avineri, The Hebrew University, Israel "Fred Dallmayr has written a splendid book on Hegel, focusing primarily on Hegel's political philosophy. Dallmayr's treatment is lucid, informed, judicious, and lively. Hegel comes 'alive' because Dallmayr shows how Hegel is relevant to some of the deepest tensions and problems that we confront today in our political life. Dallmayr is especially insightful in showing how Hegel deals with the tensions between the demands for individual freedom and the need to nurture communal social and political bonds. He explores the ways in which Hegelian themes have been developed and attacked by Hegel's heirs and critics. Dallmayr presents a strong case for showing that Hegel is the philosopher of modernity and how he still 'speaks to us.'" --Richard Bernstein, New School for Social Research "Fred Dallmayr has written a profound and wide-ranging book on Hegel. It draws on a substantial range of sources and throws a great deal of light on difficult ideas. It will be indispensable to scholars and students alike." --Raymond Plant, University of Southampton
http://www.mediafire.com/file/z2ztgzymmne/MODERNITY_AND_POLITICS__HEGEL.pdf
see google books
http://www.mediafire.com/file/z2ztgzymmne/MODERNITY_AND_POLITICS__HEGEL.pdf
see google books
ne ayaksın?
german idealism,
german modernity,
hegel,
made in istanbul,
modernity
Monday, December 8, 2008
Nazi Psychoanalysis I - II - III by Laurence A. Rickels
Nazi Psychoanalysis: Only Psychoanalysis Won the War
by Laurence A. Rickels
Psychoanalysis was a symptom of everything the Nazis reviled: an intellectual assault on Kultur largely perpetrated by Jews. It was also, as this remarkable revisionary work shows, an inescapable symptom of modernity, practiced, transformed, and perpetuated by and within the Nazi regime. A sweeping, magisterial work by one of the most incisive and interesting scholars of modern philosophy, theory, and culture, Nazi Psychoanalysis studies the breadth of this phenomenon in order to clarify and deepen our understanding not only of psychoanalysis but of the twentieth century itself.
Tracing the intersections of psychoanalysis and Nazism, Laurence A. Rickels discovers startling conjunctions and continuities in writers as diverse as Adler and Adorno, Kafka and Goethe, Lacan, H. Rider Haggard, and Heidegger, and in works as different as Der Golem, Civilization and Its Discontents, Frankenstein, Faust, and Brave New World. In a richly allusive style, he writes of psychoanalysis in multifarious incarnations, of the concept and actual history of "insurance," of propaganda in theory and practice, of psychological warfare, Walt Disney, and the Frankfurt School debates-a dizzying tour of the twentieth century that helps us see how the "corridor wars" that arise in the course of theoretical, clinical, social, political, and cultural attempts to describe the human psyche are related to the world wars of the century in an intimate and infinitely complicated manner.
Though some have used its appropriation by the Nazis to brand psychoanalysis with the political odium of fascism, Rickels instead finds an uncanny convergence-one that suggests far-reaching possibilities for both psychoanalysis and psychoanalytic criticism. His work, with its enormous intellectual and historical span, makes a persuasive argument that no element of modernity-not psychoanalysis any more than Marxism or deconstruction, cultural revolutions or technological advances-can be adequately understood without a thorough consideration of its Nazi component.
Laurence A. Rickels is professor of German and comparative literature at the University of California at Santa Barbara. His books include The Vampire Lectures (1999), The Case of California (2001), and the edited volume Acting Out in Groups (1999), all published by Minnesota.
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by Laurence A. Rickels
Psychoanalysis was a symptom of everything the Nazis reviled: an intellectual assault on Kultur largely perpetrated by Jews. It was also, as this remarkable revisionary work shows, an inescapable symptom of modernity, practiced, transformed, and perpetuated by and within the Nazi regime. A sweeping, magisterial work by one of the most incisive and interesting scholars of modern philosophy, theory, and culture, Nazi Psychoanalysis studies the breadth of this phenomenon in order to clarify and deepen our understanding not only of psychoanalysis but of the twentieth century itself.
Tracing the intersections of psychoanalysis and Nazism, Laurence A. Rickels discovers startling conjunctions and continuities in writers as diverse as Adler and Adorno, Kafka and Goethe, Lacan, H. Rider Haggard, and Heidegger, and in works as different as Der Golem, Civilization and Its Discontents, Frankenstein, Faust, and Brave New World. In a richly allusive style, he writes of psychoanalysis in multifarious incarnations, of the concept and actual history of "insurance," of propaganda in theory and practice, of psychological warfare, Walt Disney, and the Frankfurt School debates-a dizzying tour of the twentieth century that helps us see how the "corridor wars" that arise in the course of theoretical, clinical, social, political, and cultural attempts to describe the human psyche are related to the world wars of the century in an intimate and infinitely complicated manner.
Though some have used its appropriation by the Nazis to brand psychoanalysis with the political odium of fascism, Rickels instead finds an uncanny convergence-one that suggests far-reaching possibilities for both psychoanalysis and psychoanalytic criticism. His work, with its enormous intellectual and historical span, makes a persuasive argument that no element of modernity-not psychoanalysis any more than Marxism or deconstruction, cultural revolutions or technological advances-can be adequately understood without a thorough consideration of its Nazi component.
Laurence A. Rickels is professor of German and comparative literature at the University of California at Santa Barbara. His books include The Vampire Lectures (1999), The Case of California (2001), and the edited volume Acting Out in Groups (1999), all published by Minnesota.
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Wednesday, August 27, 2008
Berlin Electropolis: Shock, Nerves, and German Modernity
Berlin Electropolis: Shock, Nerves, and German Modernity
(Weimar and Now: German Cultural Criticism)
by Andreas Killen
# Hardcover: 303 pages
# Publisher: University of California Press; 1 edition (January 16, 2006)
Berlin Electropolis ties the German discourse on nervousness in the late nineteenth and early twentieth centuries to Berlin's transformation into a capital of the second industrial revolution. Focusing on three key groups--railway personnel, soldiers, and telephone operators--Andreas Killen traces the emergence in the 1880s and then later decline of the belief that modernity caused nervous illness. During this period, Killen explains, Berlin became arguably the most advanced metropolis in Europe. A host of changes, many associated with breakthroughs in technologies of transportation, communication, and leisure, combined to radically alter the shape and tempo of everyday life in Berlin. The resulting consciousness of accelerated social change and the shocks and afflictions that accompanied it found their consummate expression in the discourse about nervousness.
Wonderfully researched and clearly written, this book offers a wealth of new insights into the nature of the modern metropolis, the psychological aftermath of World War I, and the operations of the German welfare state. Killen also explores cultural attitudes toward electricity, the evolution of psychiatric thought and practice, and the status of women workers in Germany's rapidly industrializing economy. Ultimately, he argues that the backlash against the welfare state that occurred during the late Weimar Republic brought about the final decoupling of modernity and nervous illness.
From the Inside Flap
"Berlin Electropolis is the first English-language history of neurasthenia or of nerves in the German context. However, the author does more than just narrate the history of this central, yet puzzling malady; he discusses the construction, maintenance, and ultimate unraveling of a cultural assumption, by which modernity and progress were seen as creating nervous pathology. Killen introduces readers to a great deal of fascinating material and forges new connections between science, culture and society."--Paul Lerner, author of Hysterical Men: War, Psychiatry, and the Politics of Trauma in Germany, 1890-1930
link
(Weimar and Now: German Cultural Criticism)
by Andreas Killen
# Hardcover: 303 pages
# Publisher: University of California Press; 1 edition (January 16, 2006)
Berlin Electropolis ties the German discourse on nervousness in the late nineteenth and early twentieth centuries to Berlin's transformation into a capital of the second industrial revolution. Focusing on three key groups--railway personnel, soldiers, and telephone operators--Andreas Killen traces the emergence in the 1880s and then later decline of the belief that modernity caused nervous illness. During this period, Killen explains, Berlin became arguably the most advanced metropolis in Europe. A host of changes, many associated with breakthroughs in technologies of transportation, communication, and leisure, combined to radically alter the shape and tempo of everyday life in Berlin. The resulting consciousness of accelerated social change and the shocks and afflictions that accompanied it found their consummate expression in the discourse about nervousness.
Wonderfully researched and clearly written, this book offers a wealth of new insights into the nature of the modern metropolis, the psychological aftermath of World War I, and the operations of the German welfare state. Killen also explores cultural attitudes toward electricity, the evolution of psychiatric thought and practice, and the status of women workers in Germany's rapidly industrializing economy. Ultimately, he argues that the backlash against the welfare state that occurred during the late Weimar Republic brought about the final decoupling of modernity and nervous illness.
From the Inside Flap
"Berlin Electropolis is the first English-language history of neurasthenia or of nerves in the German context. However, the author does more than just narrate the history of this central, yet puzzling malady; he discusses the construction, maintenance, and ultimate unraveling of a cultural assumption, by which modernity and progress were seen as creating nervous pathology. Killen introduces readers to a great deal of fascinating material and forges new connections between science, culture and society."--Paul Lerner, author of Hysterical Men: War, Psychiatry, and the Politics of Trauma in Germany, 1890-1930
link
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